La representación de lo nacional en Manuela, de Eugenio Díaz Castro

Abstract

This article explores from literature, representations and symbols that the subordinate sectors feature built into the everyday context of nineteenth-century New Granada. Exploring the novel Manuela therefore, the national writer Eugenio Diaz Castro, the author presents a reflection on his clothes, manners, clothes, languages, arts, crafts and cultural and political conflicts in those sectors involved in the narrative of Díaz Castro.